Exercise: Mixing Materials into Paint

13 & 14/02/16

Exercise: Mixing Materials into Paint

Experiment with mixing materials from the landscape to build texture into your painting,

Unfortunately, it’s been pouring with rain incessantly, so bringing mud pies in from the landscape is not going to be appropriate. I have collected various bits and pieces from around the house, greenhouse and general bits and bobs.

Over these two days I have had great fun playing and experimenting with all sorts of materials, paints, inks and glues. I’ve used egg shells, gardener’s grit, netting from lemons, hand-made paper, raffia  and many other materials I have found and hoarded.

These are great to keep as reference for other projects.


Exercise: Preparing a Textured Ground

13 & 14/02/16

Exercise: Preparing a Textured Ground

Prepare one or two grounds in some of the ways suggested or use your own ingenuity to create textured grounds. Then prepare the whole surface with the appropriate primer.

When you come to devise your textured ground, you may find it helpful to have a title in your mind to help you select materials and effects. Think of your own or use one of these:

Urban Jungle  –   Rough Sea  –  Autumn  –  Ghost Town

I decided to use the suggested titles purely for speed and convenience as my assignment deadline is looming over me and I’d like to put my time into experimentation at this stage.

Preparing a Textured Ground Selection process for subject of a painting

Preparing a Textured Ground
Selection process for subject of a painting

After reviewing the thumbnails and going through the process I decided to go for the title Rough Sea. I prepared some acrylic paper with gesso mixed with impasto paste and attempted to put in the texture of rocks, waves and sky. However, I was unprepared for the amount of time it would take for this to dry – considering how cold and damp it has been and my studio space is in the summerhouse at the end of the garden – I had to leave it overnight. In the meantime I began the next exercise “Mixing Materials into Paint”.

So next day, I returned to the textured ground much more informed by the leaping ahead and experimenting with adding in other materials. The following gallery shows the progress of this exercise – materials used were tissue paper, fruit netting and handmade paper stuck down with PVA glue. I have to admit that I missed the instruction of using a primer over these before painting, however, as I was using acrylic paint, hopefully nothing untoward will happen.

I decided to play with the perspective slightly as the painting progressed.  There is a feeling of looking down onto a beach from cliffs, yet the sea is being thrown up as high as the cliffs.

The final painting enlarged to show the texture.

Adding colour, deeper tones and more mood

Adding colour, deeper tones and more mood