Portrait: Les – 14/01/2016

14/01/16

Portrait: Les – 14/01/16 – One Session

First lesson back for the new year.  As we often do, we started off with a drawing session to get back into the swing. Les, our model, has sat for us before and knows what to expect. Our tutor wanted us to make three different drawings in charcoal, three different poses, one with Les wearing a hat. We each stayed in the same spot and Les changed his position for variety.

Les - seated upright Approx A2 - Charcoal (Head and shoulder positioning)

Les – seated upright
Approx A2 – Charcoal
(Head and shoulder positioning)

The approach we had to take, was to have a rectangular piece of paper placed on our paper to indicate the position of the head. The size of this rectangle depended on the size of support we were using. Mine was about the size of my hand span and wrist as I had a large piece of drawing paper. Les’ first pose was a straightforward seated position. As we were to draw head and shoulders, I placed the piece of paper slightly off centre vertically and in the top third horizontally. Once placed, we then could visualise the head and began to draw the level and shape of the shoulders, noting the collar of the jacket, neck and head. As we are always being told, the position of the shoulders helps describe the sitter and if they are incorrect, it will never look quite like them. Unfortunately, as I drew, I enlarged the scale inadvertently and the head went off the top of the paper a little.

 

Les - seated upright and sideways, with hat Approx A2 - Charcoal (Head and shoulder positioning)

Les – seated upright and sideways, with hat
Approx A2 – Charcoal
(Head and shoulder positioning)

 

The next pose was incorporating the wearing of a wide-brimmed hat with Les sitting sideways on his chair and resting his hand on the back. Initially, I placed the piece of paper more centrally on the horizontal. I sketched in the shoulders with the rough shape of the hat overlapping it. I then became aware that I would not have room for the resting hand. By moving the paper over to the left and making use of the marks already made on it for the hat, I could easily judge the new hat and shoulder position. After getting used to this technique, it became very useful to plan the drawing on the paper.

 

Les - seated, leaning forward. Approx A2 - Charcoal (Head and shoulder positioning)

Les – seated, leaning forward.
Approx A2 – Charcoal
(Head and shoulder positioning)

 

 

 

The third drawing had Les, minus the hat, leaning forward in his chair in what may be called an enquiring gesture. Placing the piece of paper to the right of the drawing paper and at an angle gave me the position for expressing the pose. I felt this worked well although I probably should have angled the back of the head a little more. The face itself was a good likeness, backed up by Les’ stating that was him! Always a bonus.

 

 

 

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