24, 26 & 28/11/15
Exercise: Painting from a Working Drawing
Choose a subject that you’re already familiar with, such as a corner of a room in your own home, or objects on a table by a window, and make three drawings:
- a linear study, concentrating on the main shapes
- a tonal study
- a colour study
…You’ll find it easier to use the same medium for this study as you will for the final painting as all media behave differently.
I decided to use the corner of the lounge, with both the wall lights and standard lamp on. It was afternoon, however, as usual for this November, it’s overcast and light levels are low. Using pencil for the linear drawing to try to keep the shapes clean and clear, I also used pencil for the main shapes then using pen for the tonal drawing. I found the pen useful for describing tone as it was small (around A6) in scale and the pen would not smudge and blur the image.
I made a fundamental error with these sketches as they were made on the right hand page of my sketchbook. This prevented me having these and my colour study viewable together whilst making the final painting. To get over this I cut out the page and turned it over to be the left had page and stuck it back in my book. Now all three can be used as reference at the same time!
For the colour study, I stuck to using the pen to draw out the shapes and watercolour to add colour and tone. For this I used student quality pan colours although, I used artist quality tube colour for the actual painting. Again, as I did for the working outside exercise, I sorted out my colours first.
I did not use all of the colours I thought, ie Naples Yellow, Viridian nor Raw Umber, however, having the palette loaded and ready, made it simpler and quicker to paint. I also drew out the main shapes lightly in pencil and resisted the urge to use pen to “tidy” up, it also allowed me to draw with the paint itself.
- Did your sketches provide enough information for you to do your painting? If not, what else should you have included? I felt confident with the information in front of me, of course, I am very familiar with the subject so that helped too. I found the tonal drawing the most useful although, the colour study helped to lay out my palette.
- Did you find that being away from the subject gave you more freedom to develop your painting style? In what way? To be honest, the subject itself didn’t really inspire me into “freedom”, although, the light and shadows are always interesting to me and I enjoyed trying to show the light coming through the lamp shade and the shadows of the plant leaves. I enjoyed drawing with the paint and using wet in wet technique to achieve the tones.
- What is your opinion of the finished painting? In the main I think it’s worked although I had to work hard at getting the darks as dark as I did. I don’t love it and I don’t hate it but I think it was good practice to have gone through the process and will be invaluable in future projects.